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Can men be sapphic? One author thinks yes.

I just saw a post on threads that got me so riled I had to come here to write about it. Meryl Wilsner posed a question: Queer folks, what’s something romance books and/or romance fans do that alienates you as a queer person? To which someone responded: Refusing to read M/F sapphic stories. And of course you know me, so I had to respond. I said: This is not a thing. The story can have a sapphic character but if both aren’t sapphic, it’s not a sapphic story. Words have meaning. And she respectfully disagreed.

You cannot disagree on facts. They aren't up for debate, words have definitions.

Words carry meaning. Language holds culture, history, and boundaries. When meaning dissolves, the people behind those words lose ground.

Sapphic describes women (and women aligned/non-binary people) who love women (et al.). The word traces back to Sappho and the island of Lesbos, poetry about women loving women, centuries of writing and community built by women who loved other women. The definition sits in plain language. Open a dictionary. The entry reads relating to sexual attraction or activity between women. Has the definition of women expanded, yes, but NOT TO MEN

This idea that words shift to accommodate anyone who feels drawn to them ignores the purpose of language. Words describe reality. Words protect communities. Words create shared understanding. When every label stretches to include anyone who asks, the label stops describing anything at all.

Sapphic spaces exist because women who love women carved out room for themselves. They built culture, art, literature, relationships, and political organizing around their lives. Those spaces did not appear by accident. Women created them because the wider world ignored, mocked, or punished them.

So when someone claims the word sapphic while identifying as a man, or says that a male/female relationship can be sapphic, rage spews from me for a reason. The word centers women et al. A male identity contradicts the definition. This does not erase anyone’s identity. Many labels exist for different experiences. Language already holds terms for queer men, bisexual men, and other identities. The problem begins when male identity pushes into language created for women and demands recognition there.

Women et al. spend their lives pushed out of space. Workplaces, politics, art, history, medicine. Now even language built by women for women faces pressure to expand until the original meaning disappears. That pressure fuels a burning rage in so many of us, I know I'm not alone.

And yes, rage fits here. Feminine rage grows from exhaustion. Women fight for scraps of space and language while the world asks them to step aside again.

Another question arises in the middle of this conversation. Why do men, and some women who want to include men in the term sapphic, want to enter every label built for women? Why the insistence on standing inside every space women create? Why the expectation that women should widen every boundary? I'll tell you ... men.

Women deserve words that describe their lives. Women who love women deserve language rooted in their experience.

Men cannot be sapphic. Not because exclusion feels good. Because words hold meaning. Because language describes reality. Because the dictionary is free for anyone willing to open it. And because women deserve at least a few words in this world that belong to them.

I'd love to hear your thoughts on this.

WEEKLY NEWSLETTER: March 17th Latine Releases

Happy Tuesday, mis internet amigxs,

A quick introduction to the 1 Latine releases this week. Paid subscribers received all the remaining March Latine releases on my radar as well as an in-depth update on what's going on in the background with me including some future plans. It's never too late to become a paid subscriber and get Bien Leidos news first!

BIEN LEIDOS BOOK CLUB & DISCORD UPDATES

WE HAVE MODS! After a short application process, I have added 5 moderators to help me continue to make our Discord safe and fun space to talk books, life, hobbies, and more. Be on the lookout to improvements and changes to your Discord experience!

Already mentioned on Discord, but I wanted to give you a quick heads up to expect The Intrigue by Silvia Moreno-Garcia as our August book club pick. She mentioned this week on Threads that when she writes outside of horror/fantasy genres, her numbers aren't as strong. I've fallen off my SMG train a bit with everything going on in the world, so I wanted to remind you that The Intrigue releases July 14th. You can pre-order on Bookshop or LibroFM.

We will be voting on upcoming June and July picks, but here are upcoming book club selections so you can get your TBR in order.

FICTION

March: Now I Surrender by Alvaro Enrigue and translated by Natasha Wimmer (we will be chatting with Alvaro on Monday, April 6th in lieu of sprints at 8:00 PM--invite to register will go out soon)

April: The House of the Spirits by Isabel Allende

May: Asiri and the Amaru by Natalia Hernandez

June: TBD -- will be voting on Discord soon

July: TBD -- will be voting on Discord soon

August: The Intrigue by Silvia Moreno-Garcia

NONFICTION

March - April: Everyone Who Is Gone is Here by Jonathan Blitzer

May - June: Accordion Eulogies by Noe Alvarez

I'll do a formal post updating all our upcoming reads, but wanted you to have the latest list of upcoming reads.

And now on to this week's release!

ROMANTASY

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Daughter of the Hunt by K. Arsenault Rivera (Audiobook) Retelling of Iphigenia and Artemis myth from Puerto Rican Romantasy author, Rivera. Second book in the Oath of Fire series.

xoxo,

Carmen

Worlds Where Sapphic Stories Rewrite the Rules

Sapphic Speculative Fiction Expands the Imagination

Many people approach queer romance through familiar frameworks. Modern settings. Recognizable social rules. Families that resemble the structures most of us grew up around. I wrote about this a week or two ago, about looking beyond contemporary romance for great sapphic stories.

Those stories matter. They reflect lived experience and present-day struggles.

Yet some of the most thought-provoking sapphic stories appear in places where the rules look completely different.

Speculative fiction offers writers a simple but radical tool. The ability to ask what happens when the world operates under different assumptions?

What happens when gender does not function the way our societies expect?
What happens when colonial hierarchies collapse or never existed in the first place?
What happens when family and community follow different structures?

Sapphic speculative fiction thrives in these questions.

What counts as speculative fiction?

Speculative fiction serves as an umbrella term for stories that imagine worlds different from our own.

Fantasy explores magic, mythology, and alternate societies.
Science fiction looks at future technology, space exploration, and evolving social systems.
Alternate history reimagines historical timelines.
Dystopian and utopian fiction examine political systems taken to extreme outcomes.
Magical realism blends ordinary life with elements that challenge reality.

All of these genres share a common feature. They build worlds where the assumptions we treat as natural begin to shift.

When those foundations move, storytelling changes.

Reimagining gender systems

Many speculative worlds question the rigid gender frameworks common in contemporary culture.

Some settings include fluid understandings of gender. Others remove the strict gender hierarchy. Some societies organize identity through entirely different categories.

When gender works differently, relationships evolve as well.

Characters express attraction without the scripts that dominate many romance narratives. Partnerships develop around compatibility, trust, or shared goals rather than predetermined roles.

For readers, this shift opens new ways of thinking about identity and connection.

Challenging colonial power structures

Speculative fiction often explores empire, conquest, and resistance.

Many worlds center characters fighting against oppressive systems or rebuilding communities after political collapse. Some stories draw inspiration from Indigenous traditions or non-Western perspectives to imagine societies structured around different values.

Within these settings, sapphic characters frequently appear as leaders, rebels, scholars, or explorers. Their relationships unfold inside larger struggles over power, survival, and cultural memory.

Love does not exist in isolation. It grows alongside questions about justice, resistance, and the future of entire communities.

Rethinking family and community

Another striking feature of speculative fiction involves how stories approach family.

The nuclear family model rarely stands as the only option. Characters often live within chosen families, cooperative communities, traveling crews, or political alliances.

Romantic relationships exist inside these broader networks of care.

Two people falling in love may also share responsibilities to their crew, their village, or their resistance movement. Partnership becomes part of a wider web of loyalty and support.

For many readers, this structure feels both imaginative and deeply familiar.

Common tropes in sapphic speculative fiction

Speculative fiction combines romance with adventure and conflict. Certain narrative patterns recur.

A princess guarded by a loyal warrior or knight who begins to question her duty.
Rival soldiers from opposing factions are forced to work together.
A scholar and a fighter navigating a dangerous quest.
Political enemies are forming uneasy alliances during a rebellion.
Explorers encounter unfamiliar worlds and build trust through survival.

These tropes create tension, intimacy, and emotional growth while the larger story unfolds.

Why these stories expand the imagination

Speculative fiction does more than entertain. It shifts perspective.

When readers step into worlds built on different assumptions, the systems shaping their own lives become visible. Gender roles, political hierarchies, and family structures reveal themselves as historical constructs rather than permanent truths.

Sapphic speculative fiction takes this imaginative shift even further.

Queer women appear not as side characters but as central figures in the story of the world itself. They lead revolutions. Build communities. Explore unknown territories. Fall in love while reshaping the societies around them.

These stories ask readers to imagine something larger than representation.

They ask us to imagine entirely different ways people live together.

An invitation to explore

If you have not spent time with sapphic speculative fiction, consider this an invitation.

Explore fantasy worlds where magic reshapes power.
Read science fiction that questions identity in future societies.
Look for stories where love grows alongside resistance, exploration, and discovery.

These books stretch the imagination in ways that linger long after the final page.

I am especially interested in reading more sapphic speculative fiction this year.

Which books expanded your worldview?
Which stories stayed with you long after you finished them?

Here is a list of books I've read and books on my TBR!

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What I learned from "Ordinary Sins"

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Summary

In Original Sins, Ewing demonstrates that our schools were designed to propagate the idea of white intellectual superiority, to “civilize” Native students and to prepare Black students for menial labor. Education was not an afterthought for the Founding Fathers; it was envisioned by Thomas Jefferson as an institution that would fortify the country’s racial hierarchy. Ewing argues that these dynamics persist in a curriculum that continues to minimize the horrors of American history. The most insidious aspects of this system fall below the radar in the forms of standardized testing, academic tracking, disciplinary policies, and uneven access to resources.

By demonstrating that it’s in the DNA of American schools to serve as an effective and underacknowledged mechanism maintaining inequality in this country today, Ewing makes the case that we need a profound reevaluation of what schools are supposed to do, and for whom. This book will change the way people understand the place we send our children for eight hours a day.

Review
I'm going to keep this review short and sweet and let the learnings talk for themselves. This is necessary reading for all educators. So if you're one, please pick it up ASAP.


What I learned

  • Noah Webster, who created The Webster Dictionary wrote it in order to promote uniformity and "purity" in language in the United States as immigration from countries other than England became to increase.

  • The beginning of public schooling in America was built upon the idea of encouraging assimilliation and to teach the principles of "Americanism", which is why the Pledge of Allegiance was introduced into the classroom. The hope was that children would then be figures of assimillation in their household and influence the rest of their family.

  • Home Economics stemmed from evangelists hoping to "save our social fabric".

"The sin lies not only in the act of violence, but in the creation of the idea that makes the violence morally permissable. I argue that the way Black and Native children have been treated in schools, from the earliest days of this country to the present, is an integral part of the way racial hierarchy is constructed and maintained; that school is a place where thse ideas leave a lifelong mark on our sense of who we are, how we fit into the world, what is normal, and what is just."

  • White women educators were often used by the state in order to "tame" and control Black students. This can be especially seen through Lydia Marie Child who taught and wrote how Black people should recieve violence with grace and that retribution should never be an option. She said that the most important thing for a Black child to learn was patience.

  • The Carlisle Indian Industrial School opened in 1879 and wasn't closed until 1918. Over 10,000 students were enrolled in this school and were taught by literal military discipline. It's estimated that almost 200 children died here.

    • By 1900, 75% of Native children were enrolled in boarding schools.

      On residential schools:
      " 'Education for exctinction.' Civilization was a code word for the total erasure of Indigenous peoples from the face of the land. Civilization meant genocide."

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      Photo: from Carlisle Indian Industrial School, 1880

  • In 1972, Native women were still reporting that they had recieved hysterectomies under duress or without consent. It was discovered that at least a quarter of Native women between the ages 15-45 may have undergone sterilizations. This was also a widespread problem during this time for Black women.

    • In fact, a 2022 report found that 31 states have laws that still permit sterilization without an individual's consent. This largely targets people who are disabled.

  • In 1984, a survey of over 1,000 researchers of education and psychology found that 45% of them believed that the differences in Black and White IQ tests were at least partially due to genetic reasons. In 1984!

"We tend to selectively call the beliefs of the past pseudoscience when they make us uncomfortable, rather than confronting the reality that they were once considered orthodox science and relfecting on what that should mean for us now."

  • The convict laborer program that started in the 1800s was a death sentence. In Mississippi, not one person involved in the system lived long enough to serve out their ten-year sentence. 1/4 of these prisoners were children.

Ronnica fatt

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Ronnica Reads

Ronnica fatt

Committed to celebrating books from marginalized authors, with an emphasis on diverse books that lean literary.

Tasj

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Littrilly Reads & Chats Club

Tasj

Hello & welcome to Littrilly Read & Chats Club (LRCC)! <3 I’m Tasj! Here to help you find reads that enlighten, comfort, and excite! Expect: book recs, Book reviews, bookish diaries, reading vlogs, book club, and literary exploration

Reading Fools

Marston Quinn

I’m a fool, and so are you, but maybe we'll be a little less foolish if we read great books together?

Collectible Science Fiction

Adam

Welcome to CSF! Home of the coolest books and covers.

Carlos osuna

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The Threaded Library

Carlos osuna

The Threaded Library isn’t just a book club — it’s a creative, cozy, and wonderfully queer corner of the internet where stories and art intertwine.

Boozhoo Books

Boozhoo Books

Cracks in an Ocean of GlassWhat Feeds Below
Naomi

Naomi


Tastemaker-curated publishing imprints


We partner with select tastemakers to discover resonant new voices and publish to readers everywhere.

Tastemaker-curated publishing imprints

Mareas

Cover for Our Sister's Keeper

Our Sister's Keeper

Jasmine Holmes

Sapph-Lit

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Saturn Returning

Kim Narby

Boundless Press

Cover for Burn the Sea

Burn the Sea

Mona Tewari

Left Unread Books

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Devil of the Deep

Falencia Jean-Francois

The Inky Phoenix

Cover for Wayward Souls

Wayward Souls

Susan J. Morris

Ezeekat Press

Cover for Black as Diamond

Black as Diamond

U.M. Agoawike

The Inky Phoenix

Cover for This Is Not a Test

This Is Not a Test

Courtney Summers

Mareas

Cover for Orange Wine

Orange Wine

Esperanza Hope Snyder

Boundless Press

Cover for Dust Settles North

Dust Settles North

Deena ElGenaidi

Cozy Quill

Cover for Recipes for an Unexpected Afterlife

Recipes for an Unexpected Afterlife

Deston J. Munden

The Inky Phoenix

Cover for Local Heavens

Local Heavens

K.M. Fajardo

Left Unread Books

Cover for Cry, Voidbringer

Cry, Voidbringer

Elaine Ho

Violetear Books

Cover for Tempest's Queen

Tempest's Queen

Tiffany Wang

Skies Press

Cover for To Bargain with Mortals

To Bargain with Mortals

R.A. Basu

Fantasy & Frens

Cover for Crueler Mercies

Crueler Mercies

Maren Chase

Ezeekat Press

Cover for Of Monsters and Mainframes

Of Monsters and Mainframes

Barbara Truelove

Mareas

Cover for The Unmapping

The Unmapping

Denise S. Robbins

Violetear Books

Cover for Black Salt Queen

Black Salt Queen

Samantha Bansil

Ezeekat Press

Cover for House of Frank

House of Frank

Kay Synclaire

Violetear Books

Cover for Inferno's Heir

Inferno's Heir

Tiffany Wang

Fantasy & Frens

Cover for And the Sky Bled

And the Sky Bled

S. Hati

The Inky Phoenix

Cover for Strange Beasts

Strange Beasts

Susan J. Morris

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