Friends,

If you missed it, we are reading a story from NWAN Part II Back For Blood, each day this October. Technically this means we are on story 2, but the channels are open for discussion throughout the year...because I'm a frequently late person!

If you want to join in the fun, connect to our community Discord!

If you haven't grabbed a copy yet, be sure to grab using the link below! (I do get a small commission whenever you use my Bindery links!

So excited to finally dive into this one!

Sometimes I want a queer story about coming out. I want stories about fear, first recognition, complicated families, and fighting for the right to live openly. Those stories matter because many of us have lived them.

But I don’t want coming out to be the price of admission every time I open a sapphic book.

Sometimes I want to meet a woman who already knows she loves women. I want her greatest problem to involve a dragon, a murder, a haunted spaceship, a failing coffee shop, or a deeply inconvenient crush (yes I have book recs for all of the above). I want queer characters with exes, bad habits, established communities, and opinions about everything. I want queerness to shape their lives without becoming their only story.

There is a specific kind of relief in entering a world where nobody pauses to explain why two women are attracted to each other. No one demands a declaration. No one treats a kiss like a political lesson for a straight audience. The characters still struggle, but their suffering doesn’t automatically begin with who they love.

Queer normative fiction goes further than simple inclusion. In a fully queer normative world, homophobia and transphobia do not structure society. Queer relationships, genders, families, and ways of living belong to the social fabric. Authors get to ask different questions because they’re no longer required to recreate every oppression from our world.

How does inheritance work when heterosexual marriage is not the assumed foundation of family? What forms of kinship become ordinary? What language develops around gender when a binary system never holds social authority? What conflicts emerge when queerness is no longer treated as the conflict?

Not every book on this list creates a fully queer normative society. Some take place in worlds where other oppressive systems still operate, but sapphic identity is treated as an ordinary part of the characters’ lives. I separated those books because “no coming-out plot” and “no homophobia exists in the world” are related ideas, but they’re not interchangeable.

Both kinds of stories give sapphic characters room to want more than survival. They get to pursue power, make terrible choices, solve mysteries, fall in love, fail at communication, save kingdoms, and build lives. Queerness belongs to them without consuming every narrative possibility.

I want more books where sapphic characters already know who they are. I want stories where queer community exists before the first chapter. I want desire without apology and identity without an assigned lesson.

How does your reading experience change when queerness is treated as ordinary? Which book made you feel like you had entered a fully realized queer world?

Books Recommendations

The Deep by Rivers Solomon with Daveed Diggs, William Hutson, and Jonathan Snipes
The wajinru are water-dwelling descendants of pregnant African women thrown overboard during the transatlantic slave trade. Their society does not rely on cisheteronormative or monogamous structures. Gender remains fluid, relationships take different forms, and communal care shapes the culture. Yetu’s connection with Oori adds a sapphic relationship to a story about memory, trauma, and collective survival.

The Kingdom of Immortal Lovers series by Ruby Roe
Ruby Roe writes sapphic romantasy worlds where women loving women needs no defense or explanation. The Kingdom of Immortal Lovers trilogy begins with House of Crimson Hearts and continues with House of Crimson Kisses and House of Crimson Curses. Vampire Octavia and hunter Red enter a deadly competition for control of Sangui City, forcing two enemies with a forgotten history to work together. Queerness is ordinary, while blood, betrayal, ambition, desire, and supernatural politics drive the conflict. Readers who enjoy this trilogy will find the same queer normativity across Roe's other sapphic fantasy series.

The Dark Gods series by Tara Sim (sapphic relationship within the larger cast)
Beginning with The City of Dusk, this epic fantasy follows four heirs linked to the gods of life, death, light, and darkness as they fight to save their dying city. The ensemble includes characters with varied sexualities, and queerness exists without prejudice or explanation. The series is not centered on a single sapphic romance, but it belongs here because queer people occupy every level of its story, including positions of power, faith, danger, and moral complexity.

The Tea Dragon Society by K. O’Neill
This graphic novel builds a soft fantasy world where queer identities, same-gender relationships, disability, and chosen family belong without explanation. The story centers care, tradition, memory, and intergenerational community. The full Tea Dragon series offers a strong starting place for readers seeking warmth.

The This Poison Heart duology by Kalynn Bayron (my favorite YA duology)
Briseis possesses a gift for growing plants with a single touch. After inheriting an old estate filled with poisonous botanicals and family secrets, she uncovers a connection to Greek mythology and deadly magic. Briseis has two mothers, develops a sapphic romance with the mysterious Marie, and lives in a story free from homophobia. The duology centers Black girlhood, queer family, grief, generational history, and love while allowing queerness to exist without conflict or explanation.

Homeward for a Spell by Jamie Pacton and Rebecca Podos
Ranger Sage finally gets the chance to lead an adventuring party, only to find herself crossing a hostile winter landscape with monsters, magical danger, and Araphi, an aristocratic bard on the run. Their attraction develops inside a cozy quest full of music, flirting, and found family. Queer romance belongs naturally beside the adventure.

Her Pretty Knight by Mariah Rae Birch
This steamy fairy-tale romantasy pairs Della, a death witch posing as a princess, with Sir Galeon, the scarred knight assigned to protect her. A jealous prince, palace danger, and bodies in the library complicate their forbidden romance. The story lets two women occupy the roles of princess, witch, and shining knight without turning their queerness into the obstacle.

An Unlikely Coven by AM Kvita
Joan Greenwood returns to New York and discovers a spell has transformed an ordinary human into a powerful witch. A rescue mission, family secrets, supernatural politics, and a slow-burning sapphic connection pull her into magical chaos. Queer and BIPOC characters stand at the center of this urban fantasy about chosen family and belonging.

Field Guide for the Formerly Villainous by Autumn K. England
After escaping the mind control of an evil cult, nonbinary magic user Oaklin Nettlewood retreats to a farm to heal. Friendship, a grumpy horse, a good dog, and a gentle romance with a paladin-librarian help them return to the world. The cozy fantasy treats Oaklin's gender and queerness as ordinary while giving trauma, recovery, and community the emotional focus.

The Between Earth and Sky trilogy by Rebecca Roanhorse (sapphic relationship within the larger cast)
Beginning with Black Sun, this Indigenous-inspired epic fantasy follows people caught in prophecy, political upheaval, religious conflict, and war. Bisexual women, nonbinary people, varied pronouns, and queer relationships exist throughout Meridian without needing to justify their presence. The trilogy gives queer characters power, desire, ambition, and moral complexity on an epic scale.

For the Love of the Quest by Alexandra Ammon Parthun
Lady Edith Darling runs away to fulfill her grandmother's last wish and find Excalibur. She hires Thomasin Shaw, the feared leader of a London gang, who initially sees the wealthy lady as a possible ransom. Traps, Arthurian puzzles, criminal schemes, and attraction turn their journey into a sapphic historical romance about two women chasing treasure and choosing each other.

Moss'd in Space by Rebecca Thorne
Torian buys an abandoned alien starship and discovers its moss is a sentient organic computer with a sharp tongue and abandonment issues. Her ex-captain Amelia, an angry immortal alien, and a growing found family join the trouble. This cozy science-fiction romance places queer relationships inside a funny space adventure about freedom, connection, and finding home.

When I Was Death by Alexis Henderson
Alexis Henderson's work belongs on any reading list for queer horror with richly drawn Black girls and women. Her 2026 YA novel When I Was Death follows Roslyn after her sister's disappearance, when a group of strange girls arrives in town and reveals a bargain with Death. Grief, girlhood, love, and mortality drive the story, making this a strong choice for readers who want a darker book this year.

Mine, Yours & Ours by Karmen Lee
This dark sapphic mafia romance sits within Lee's Pretty When Vicious world of ruthless widows, criminal dynasties, dangerous rivals, and women who refuse to surrender power. Melissa believes her husband's death has finally freed her, until his twin appears and pulls her back into the Kincaid family's orbit. The result is an enemies-to-lovers story where Black sapphic desire takes center stage in a genre often dominated by heterosexual couples.

I Accidentally Locked Down a Witch by Jessica Cage
Fitness entrepreneur Shontae Carter meets Likosa, a witch from another realm who plans to use the mysterious power in Shontae's aura to open a portal home. Their attraction disrupts the scheme and turns the fourth Accidents Happen book into a spicy sapphic paranormal rom-com. It also centers a plus-size Black woman whose strength, work, friendships, and desirability all matter.

The Luminous Dead by Caitlin Starling
Gyre enters a dangerous cave system with only Em, her remote handler, controlling her suit and feeding her information. The tense relationship between the two women drives this claustrophobic science-fiction horror. Their queerness requires no explanation, though manipulation, isolation, and survival provide more than enough conflict.

Spear by Nicola Griffith
This queer Arthurian retelling follows a young woman who leaves an isolated childhood to seek a place at King Artos’s court. The court opens into a larger queer world, and the sapphic relationship grows inside a story about destiny, identity, magic, and belonging.

A Master of Djinn by P. Djèlí Clark
Agent Fatma investigates a supernatural murder in an alternate 1912 Cairo filled with djinn, magic, airships, and political unrest. Fatma already has history with Siti when the novel begins. Their relationship belongs naturally beside the mystery rather than becoming a problem requiring explanation.

A Long Way to a Small, Angry Planet by Becky Chambers
The first Wayfarers novel follows a mixed-species spaceship crew whose relationships challenge human assumptions about gender, sexuality, family, and intimacy. The book includes a sapphic relationship while treating queerness as part of a larger, culturally varied future.

Gideon the Ninth by Tamsyn Muir
The Locked Tomb series fills a necromantic space empire with lesbians, complicated women, devotion, rivalry, grief, and terrible decisions. Queerness needs no explanation. Readers receive murder mystery, body horror, theology, and bone magic instead of a coming-out narrative.

The Unbroken by C. L. Clark
Touraine and Luca occupy opposite sides of a colonial conflict, and their attraction becomes tangled with power, betrayal, and political violence. The fantasy world normalizes queerness, but the novel remains deeply concerned with empire, race, class, and cultural belonging.

The Jasmine Throne by Tasha Suri
An imprisoned princess and a maidservant hiding forbidden power become drawn to each other while navigating empire, religious violence, revolution, and ambition. Their attraction belongs to the story without requiring a coming-out arc. The Burning Kingdoms trilogy gives sapphic women room to be strategic, furious, loving, and morally complicated.

The Priory of the Orange Tree by Samantha Shannon
This epic fantasy includes a central sapphic relationship amid dragons, court politics, religion, and a threat to the world. Duty and secrecy complicate the romance, but queerness itself does not serve as the primary conflict.

Questions for the community

Which book gave you the strongest sense of living inside a queer normative world?

Do you prefer stories with no homophobia at all, or stories where homophobia exists but never controls the main character’s arc?

Which genre needs more sapphic characters whose queerness is already established?

Five books to begin with

• For cozy fantasy: Field Guide for the Formerly Villainous

• For epic fantasy: The Between Earth and Sky Trilogy (not exclusively sapphic)

• For science-fiction mystery: The Space Between Worlds

• For horror: The Luminous Dead

• For a fully queer normative fantasy world: This Poison Heart